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Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

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Applause: In conversation with Saiyami Kher

Khalid Mohamed in a frankspeak with Saiyami Kher, who has made a huge impact with her performance as a housemaker-cum-bank emp...

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A touch of class

Review of Season’s Greetings, a short film which probes sexual identities

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Whose Life Is It, Anyway?

Deepa Gahlot writes in her review of Jodi Picoult’s, A Spark of Life, “Women’s reproductive rights have always been under thr...

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The Circle of Life

In an age when there is so little thought given to the past, a new Marathi play makes a case for preserving memories.

The Staging of DEEWAR in India 2018

Prithvi Theatre opened to the public on a day in 1978, forty years ago. It is today an address that apart from being ...

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Google @ my First Address in Life and its Fruity Lychee taste: MUZAFFARPUR

I have changed many addresses in life as an itinerant. When I click life@57, it is my first address in life and...

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Omerta

Cast: Rajkummar Rao

Director: Hansal Mehta

Producer: Nahid Khan

...

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Haidar Ali @70 & His Familial Film Heritage: A Treasure Trove

Voter-India ought to be voting Nirbhaya (unafraid) in 2018/ 2019 also for the freedom of Film India, Fashion In...

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Lost in Space: A Strong Foothold in Infinity

Whether it’s through memes or scoops - Elon Musk’s car in space or his vision of a Mars colony unti...

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